I read Anna Gavalda's French Leave way back in 2011, having picked up that slim novella at a Border's going-out-of-business sale (a tragic day for my childhood nostalgia of the bookstore giant, a great day for collecting lots of books for little money). I wasn't all that impressed with the book, to be honest, finding it somewhat boring and fragmented in a not-exactly-enjoyable way. Even so, I would end up buying Gavalda's I Wish Someone Were Waiting for Me Somewhere (translated from French by Karen L. Marker) in 2014, during the first-ever WITMonth. And then it languished on my shelves for three years.
The truth is, I Wish Someone Were Waiting for Me Somewhere (hereby shortened to stories or this collection because the title is way too long) is a pretty great book. This short story collection was an exciting shift for me after a series of fairly disappointing single-author collections (in which style kept suffocating innovation or intrigue), largely because it is both delightfully short and wonderfully varied. Gavalda has a distinct enough style in each of the stories, but she plays around with different explorations of similar themes. Most of the stories are written in fairly conversational styles, but they managed to sound different and their topics varied widely enough that it didn't feel like I was rereading the same story again and again (as I had occasionally felt with Gail Hareven's most recent short story collection People Fail).
The stories range from young adult antics, to sexual escapades, to lost loves, to public tragedies, to rape, to anxiety, and more. While some of the stories made me roll my eyes (see: young adult antics), others had me on the edge of my seat, and others still had me crying softly for five minutes after the story ended. Enough of the stories wormed their way into my brain, touching me emotionally in a way that not all short stories are able to. Some just made me laugh.
The conversational, first-person will likely not be to every reader's taste. Neither will the sharp contrast between Gavalda's sly stories and the more emotionally daunting ones. To a certain degree, the uniformity of writing style compensates somewhat for the tone shifts between stories, but there remains an undercurrent of cynicism that seems to pervade every story, like Gavalda is highly aware of how her own voice is mixing with that of her characters. And while I hadn't really enjoyed it with French Leave, the brevity of these stories made sure that nothing got bogged down or too tangled. The stories don't feel especially long, but they're not quite brief either - that sweet spot of being "just right". For readers not opposed to conversational short-storytelling, this one is warmly recommended.